Douniah & High John - "Neighbourhood / I Miss"

I'll admit it. I haven't been on here in ages. COVID did a number on my life and schedule and seeing as how this is something I do for fun, it didn't so much as take a backseat as get put in the Thule on the roof or left by the side of the highway while my family took up all the space in the car.

That said, I have continued to listen to new music and heard some great stuff which you can hear on my weekly radio shows. 

But I wanted to hop on here after checking "Neighbourhood / I Miss" out this morning and encourage you to give it a listen / watch. As of posting, there are only 66 views on this track and I hope it blows up because it has an incredible vibe and sound.

Douniah is a Hamburg-based artist with Moroccan roots and has a voice that contains a weight and sadness when she sings in the lower register, but can really lift off and brighten up as she ascends the scales. Producer High John provides her with some languid beats and does some interesting stuff in the interlude as this track and video move from the "Neighbourhood" portion to "I Miss."

Don't miss out on these two.

My Polaris Prize Ballot - 2020 Round One

First off, it's been a while.

I've of course been listening to new music since my last regular post in March as I continue in my role as PD / MD at UMFM, but while there's been stuff I'm digging, I just have not had the time or energy to share things here on RR as I've also been home with four children full-time since March 13th. If you want to hear what I'm digging week-to-week for the time being, I'd recommend checking out my showlogs here and here as I continue to program new broadcasts.

The other reason I haven't had the time to post on RR is I'd been busy listening and re-listening to a slew of recommendations by my fellow Polaris Prize jurors before the longlist voting deadline.

Which was yesterday, June 5th.

As I have done every year, I'll once again be sharing my personal longlist and ballot here and when it comes time to whittle the longlist down, I'll be posting that ballot as well.

Before I get to my "first final five" directly below are the albums I had the hardest time not including (and as always with my attempts at being internally consistent, anything released in since January 1 2020 is also on my longlist for the best albums of the year).

Anachnid - Dreamweaver
Andy Shauf - The Neon Skyline
Begonia - Fear
Bon Enfant - Bon Enfant
Catherine Major - Carte mere
Caveboy - Night in the Park, Kiss in the Dark
Ellis - Born Again
Emie R. Roussel Trio - Rhythme De Passage
Flore Laurentienne - Vol. 1
Fortunato Durutti Marinetti - Desire
Junia-T - Studio Monk
Kaytranada - BUBBA
Little Scream - Speed Queen
Peripheral Vision - Irrational Revelation and Mutual Humiliation
Sarah Harmer - Are You Gone
Songs of Tales - Life Is A Gong Show
Super Duty Tough Work - Studies In Grey
TOPS - I Feel Alive
Wares - Survival

Should any of my five not make the cut for the actual longlist, but something from the personal longlist does, that will be considered first.

With that said, here's what I voted for (screenshot from the actual voting page):

I don't believe I've done this before, but here are hyperlinks to the albums or artists.
1. Loving
2. Men I Trust
3. William Prince
4. Raphael Weinroth-Browne
5. Witch Prophet

Good luck to all of these great artists and fingers-crossed I'll be voting to put you on the Shortlist in a few weeks.

Benjamin Gordon - "Take Me Home"

It's important to note that the real strength of this cut is the magnificent vocal work of guest Adeleye Omotayo, who has such emotion is his voice that it is at times gutting. From the restrained growl of the first few lines to the naked emotion as he quavers "felt the water falling from my eyes / hold me closer let me see / take my hand and hear me cry" at the mid-way point, Omotayo is a force throughout and a name I've now added to my musical radar.

This is the latest single from UK producer Benjamin Gordon's forthcoming Where Did We Get Lost? and if "Back To You" and "Walls Fall Down" didn't already have you marking April 3rd on your calendar maybe the third time's the charm.

Courtney Marie Andrews - "If I Told"

The closest Andrews will get to my hometown of Winnipeg on her upcoming tour is Minneapolis for their Basilica Block Party (July 10th) which lands in the middle of Winnipeg Folk Fest so I won't get to see her, but I'm circling my calendar for June 5th as that's the day her new album Old Flowers comes out on Fat Possum.

She just dropped "If I Told" last night and it is another stunner from the singer-songwriter.

KOKOROKO - "Carry Me Home"

So Brownswood just dropped a new track from KOKOROKO (previously featured here) who were inspired by Dele Sosimi to write "Carry Me Home." Sosimi was the subject of a post here on RR back in 2015. With both Sosimi and KOKOROKO on the RR radar, hopefully they're on yours as well and you enjoy this joyful track that features a bubbling bass-line, warm vocals and exuberant horns.

A Tribe Called Red - "Land Back"

I'm going to be leading off tonight's TGIFR with this new track A Tribe Called Red released yesterday in support of the Unist'ot'en 2020 Legal Fun and in solidarity with the Wet'suwet'en people and their hereditary chiefs.

I wish there was a better reason for new material from ATCR.

John Moreland - "Terrestrial"

WOW.

That was the first thought I had when this track started up midway through John Moreland's latest album, LP5 (coincidentally his fifth). "Terrestrial" just unfurls over the course of its near-four-minute runtime, beginning with an acoustic guitar alone before it's joined by the bass, drums, electric guitar and a piano.

OH THAT PIANO.

So wonderfully recorded - you get the warmth of the low notes and the sparkle of those chords the right hand is forming. Focusing on just the piano on this track is a rewarding exercise, particularly when it goes on a little vamp at the 2:41 mark in the upper registers of the keyboard. Plus there's friggin' percussive clapping flitting around those notes.

AND WE HAVEN'T EVEN TALKED ABOUT MORELAND'S VOICE.

Did you ever have an old blanket that was thick, a little bit coarse and not the best to snuggle up in but damn if it wasn't the perfect thing to pull over your legs on a cool evening outdoors? Maybe you kept it in the trunk of your car for a picnic or an emergency? That's Moreland's voice - it's not fleece soft, but it is secure and comforting nonetheless. I can picture taking a drive out of the city, pulling out that blanket to cover up with my back against a tree and a view of the stars in the night sky with "Terrestrial" wafting out of the open window.

This is one of those perfect songs and is a front runner for my favourite of 2020.